I’ve seen pictures of Big Foot and the Loch Ness Monster. Hell I even thought I saw Tupac the last time I was in Los Angeles. It was not until I held my pre-ordered copy of Chef Raekwon’s Only Built 4 Cuban Linx PT. II in my hands did I believe that such a thing could even exist. I heard rumors of its existence but after 14 years of rumors and myths, I’m sure you can understand my skepticism. As I started the now extinct ritual of struggling with the cd packaging and listening to the disc on my home stereo, all I was hoping for was at least a glimpse of the impression I was left with from the original OB4CL 1995 release. What I got was much more.

In every interview I read or watched Raekwon spoke about bringing in outside producers for the project. I have to admit this fueled my worries about this album not having the same feel of the first album. OB4CL II begins exactly where the original left off except this time instead of U-God, its Inspectah Deck, Ghostface Killah and Method Man who have the honor of blessing the albums first track, the J-Dilla produced House of Flying Daggers. Producer Pete Rock is credited with crafting the first vintage Chef crime story on the record “Sonny’s Missing” followed by the equally dark crack cooking tale “Pyrex Vision”. This track to my surprise was produced by the Legendary Queens Bridge producer Marley Marl. I know I shouldn’t be surprised. Not to be out done the RZA provides Rae with that vintage Wu sound on the Inspectah deck assisted Black Mozart. If there were any questions about Raekwon’s rhyming ability all those questions are answered on The Alchemist produced Surgical Gloves where Rae rhymes “Teddy with the red range/supercharged kangol’s/ Rae and Ghost CD in his change yo/ Angelo Spanish kid lango/all I know is where he hang though/kept it sideways angle/.” I didn’t say I was going to explain it to you.
The featuring of Ghostface Killah on the original Purple Tape set off a pairing of one of the best rap duo’s since EPMD. It’s become as if you don’t expect to hear on without the other. OB4CL II has plenty to offer from the two but one of the many highlights is “Penitentiary” that finds Rae and Ghost attempting to break out of prison. If you can stand to listen to the cab driving Capandonna you’ll love 10 Bricks as well as the RZA produced New Wu, which features a fired up Method Man. There are a ton of features outside of the Wu family on the album from Slick Rick, Beanie Segal, Jada Kiss, Styles P, Busta Rhymes and Lyfe Jennings on the Dr. Dre produced Catalina, but none take away from the albums cohesiveness or appear out of place.
After I finished listening to the album I couldn’t help but think to myself that the possibility of this project held my curiosity for 14 years. The uncertainty of the album’s release date coupled with the production being handled by someone other than the RZA and the lack of a Nas appearance initially brought down my enthusiasm for this album. Upon listening to each leaked track and getting a glimpse of the updated version of the original album artwork my excitement grew. Some may not understand the excitement probably because they were too young when the first one was released or they didn’t grow up in a time when New York rap still had a prominent place in Hip Hop. If you’re looking for some unapologetic New York Hip Hop, OB4CL II is that album. Let’s just hope others will follow suit and stop trying to get in where they fit in and just Get It IN! Cheers to the Chef Raekwon for no apologies.
Download Raekwon – The BadLands (UK Release Bounus Track)
Download Raekwon – Walk With Me (iTunes Bonus Track)
[Via Fresh Theory]
September 8, 2009 at 2:01 AM
Awesome effin review. Says everything that needs to be said, and shows every feeling every Chef and Ghost fan thought when they listened. Except….No words on Ason Jones? I feel like that was the real ODB tribute, not the track on 8 Diagrams. Whats your rating? Marcus(Quote)
September 8, 2009 at 6:29 AM
I thought I would leave the rating up to the listener. I’m still in shock the record even mad it to see the light of day. Korey Shell(Quote)
September 11, 2009 at 5:16 PM
When the original OB4CL was released in ‘95, I was 16 years old, and it was the perfect cassette for the tape deck. I live in NC, and have never had a fondness for southern rap (with the exception of a few people, Jeezy, Outkast, etc.) or this new age of hip hop, so I have been anticipating this album release for several years. It did not disappoint, and took me back to fond days of real hip hop, when vocabulary was still an important part of getting your message across. I enjoyed the review, and would encourage everyone to give it a chance, especially those younger people who may not even be familiar with Raekwon. Ceylove(Quote)
September 14, 2009 at 12:03 PM
Great read! Nomis(Quote)
September 14, 2009 at 1:17 PM
Good review man Khalid(Quote)
September 19, 2009 at 12:18 PM
Good effen review! 5/5 star album! Picks up right where the first purple tape left off and slaps the $hit out of you for 22 tracks.
If you’re looking to spend 12 on one CD this year, make sure its this one. Its THAT good. Buy your copy then report back here with your results Mr. T(Quote)
September 28, 2009 at 12:02 PM
I’m shoked! I see in google.com
SDGTR23YHT234FD RalsSotsSof(Quote)